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FULL LENGTH MUSICALS
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FULL LENGTH MUSICALS 〰️
A full-length musical by Ben Bonnema & Arianna Rose
It’s telling that nearly every adaptation of J.M. Barrie’s novel “Peter and Wendy” was retitled “Peter Pan.” Women, fictional or not, are often swept aside in favor of their male counterparts. It’s more important than ever to tell stories that center women—women who discover their own agency and choose their own happiness. THE LOST GIRL is just such a story. Taking place 25 years after neverland in 1909 London, Wendy is a young widow with a nine year old daughter. Despite the Edwardian norms she was raised in, Wendy finds the strength to stand up to her brother and protect her daughter Jane, even joining the burgeoning Suffragette movement. She goes from hoping that Peter will come back and fix everything to understanding that she has control over her destiny. If little girls today are raised with such stories, perhaps our world can become a bit more equitable and bend closer towards justice.
A COLLECTIBLE SENSATION is a full-length musical for 12 women (plus optional additional ensemble) by Amy Engelhardt and Arianna Rose. An adaptation of the full-length play “The Equivalent of Sensation” by Arianna Rose.
At the night before the unveiling of the million-dollar renovation of their renowned Cone Collection at the Baltimore Museum of Art, long dead sisters Etta and Claribel Cone suddenly materialize. "Family friend" Gertrude Stein and her paramour Alice Toklas (equally dead) also pop up, uninvited (much to Etta’s dismay).
Their mission: to settle once and for all how the “Friendship” between Etta and Gertrude fell apart. Their younger selves appear to help them sort it all out. The surrounding artwork miraculously comes to life, with each woman represented by a painting with special significance for them.
The musical is non-linear, moving between present time in the Cone Wing, past memories with the younger selves of the four women, with artwork that also represents the women that comes alive to comment on and move the story forward. Fantasy sequences are created when past and present merge.
Featuring a cast of twelve women/non-binary actors of any race and ethnicity, the score is written for a modern rhythm section (pop/rock) with strings for a more chamber-like, period feel.
SKIPPING A STONE, Musical adaptation of The Ripple Effect by Arianna Rose
(Cast of 8: 2 w, 2m, 4 ensemble)
Two Act Musical Comedy
Book & Lyrics by Arianna Rose, Music by Asher Shectman
SYNOPSIS:
SKIPPING A STONE, a full-length musical comedy set in 1995 New York City, eavesdrops on Upper West Side apartment dwellers Amy and Jeff, and their middle-aged neighbors Ida and Paul. Amy and Jeff attempt unorthodox rituals to get pregnant and take it to term; Ida and Paul deal with the aftermath of Paul’s stroke. The fabric of marriage is pulled, torn, and repaired as each couple navigates their new normal. Science and spirituality go toe-to-toe when Wiccans enter the picture, in this funny and touching story of the ripple effect we create with each decision.
CURRENTLY IN DEVELOPMENT
THE LEYENDECKER LOOK, Musical adaptation of The Lesser Leyendecker by Arianna Rose
Cast: 4 men, 2 women, 1 male non-human cutout or puppeteer, 4 ensemble, optional additional ensemble
Two-Act Musical Drama
Book & Lyrics by Arianna Rose, Music by Thomas Jacobsen
SYNOPSIS:
“Family First” is the motto of the real-life Leyendecker siblings Mary, Joe and Frank. The close-knit brothers rise to fame as commercial illustrators in the early 1900s, even as Frank battles addiction issues and conflicting artistic ambitions. Canadian model Charles Beach insinuates himself into Joe’s heart and art, serving as the main model for Joe’s creation The Arrow Collar Man, arguably one of the first media influencers on the nation.
Frank’s self-esteem and work output descends in direct opposition to Joe’s rise, despite the assistance of Livvy, the tightrope walker who has been his imaginary muse since childhood. Mary, caught in the middle, battles with Beach for control of their empire. Art comes to life, the Arrow Collar Man becomes a threat to everyone, as the siblings struggle to maintain their closeness and careers. The timeless issues of art and addiction, imagination and illusion meet in this highly theatrical memory musical, spanning late 1890s through 1924.
FULL LENGTH PLAYS
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FULL LENGTH PLAYS 〰️
A full-length 5-woman play by Arianna Rose
Sisters Etta and Claribel Cone, long dead, materialize at the unveiling of the million dollar renovation of their renowned Cone Collection at the Baltimore Museum of Modern Art. Family friend Gertrude Stein and her paramour Alice Toklas pop up uninvited, much to Etta’s dismay. As tensions grow between the four women, they resolve to recreate their stories in an effort to uncover the truth.
The Lesser Leyendecker, a 90-minute drama by Arianna Rose
4 m, 2 w, 1 cut-out or human (non-verbal)
“Family First” is the motto of the three Leyendecker siblings. When real-life brothers Frank and Joe find fame as illustrators in the early 1900s, a stranger insinuates himself into their close-knit relationship and threatens everything they’ve created. Art and addiction, imagination and illusion meet in this highly theatrical memory play.
A full-length comedy (2f, 1m) by Arianna Rose
THE RIPPLE EFFECT, a full-length comedy set in 1995 NYC, eavesdrops on Upper West Side apartment dwellers Amy and Jeff, and their middle-aged neighbor Mrs. Ida Teitelbaum. Amy and Jeff attempt unorthodox rituals to get pregnant and take it to term; Ida deals with the aftermath of her husband’s stroke. The fabric of marriage is pulled, torn, and repaired as each character navigates their new normal. Science and spirituality go toe-to-toe when Wiccans enter the picture, in this comical and empathetic story of the ripple effect we create with each decision.
A full-length drama by Arianna Rose (2m, 3w)
Spring Break, 1994, on an island. A teen-aged girl goes missing. Through a series of connected vignettes spanning time, we meet Miranda, her mother Becca, her best friend Emily, Stefan, and his father Dirk. Becca confronts Stefan, the last person to have seen Miranda. Stefan slowly reveals his true colors as a pathological liar to a frustrated Becca. Miranda emerges as a young girl on the cusp of womanhood, healing from a broken family dynamic and exploring the boundaries of her sexuality. Dirk tries to protect his son, and Emily is convinced it’s her fault that Miranda may be dead.
One-Act Plays
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One-Act Plays 〰️
DON’T PLAY WITH YOUR FOOD (one-act version)
45- minute absurdist dark comedy about food addictions and wellness crazes
for 7 to 14 actors with doubling:
3 women, the remainder of the roles any gender
Casey has been struggling with food addictions and body dysmorphia her entire life. While writing down her umpteenth resolution to lose weight, a wild journey commences that has Casey in direct communication with the ‘forbidden foods’, put on trial for crimes committed, and conflicting well-being solutions thrown at her. At odds with her former and future selves, Casey wonders if she’ll ever forge a path to wellness. An absurdist comedy about the pain we hold ourselves in by comparing our insides to other people’s outsides.
Note: There is a ten-minute version of this play, also entitled DON’T PLAY WITH YOUR FOOD, with versions for 4, 5 and 6 actors; and an excerpt of another part of the script is also a ten-minute comedy entitled THE CLEAN PLATE CLUB.
A 30-minute immersive dramady by Arianna Rose, inspired by real events, for twelve actors playing a multitude of characters.
In July 1911, Virginia McMath was born to Lela McMath in Independence, Missouri. Her kidnapping by her father was stymied by the helpful actions of many Missourians and Texas who reunited mother and daughter. Little Virginia grew up to become the beloved movie star Ginger Rogers. Inspired by real-life events.
ONE-ACT FAMILY MUSICALS
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ONE-ACT FAMILY MUSICALS 〰️
THE SPELL a one-act family musical (18+ roles)
Book and Lyrics by Arianna Rose
Music by Thomas Jacobsen (currently in development)
It’s Friday at Taft Academy School for elementary and middle school students, which means it’s pizza day. Everyone is very excited by this, though a damper is put on the cafeteria when the cool kids arrive and demand their usual seats One of their targets is Jordan Wester, a reporter for the school paper. Jordan is looking for the next big story, with the help of their trusted assistant and friend, Piminy Scott. During an altercation with the Cool Kids, Piminy wishes aloud that they would just leave for another planet. A new student, Maj Ickal, claims she is a sorcerer-in-training. The Cool Kids don’t believe her, so she casts a spell and the Cool Kids vanish. Piminy is beside herself and begs Maj to bring them back, but Maj doesn’t know how. Jordan thinks it’s a great story for the paper.
The Cool Kids have been beamed to Planet Princess, where they meet Kai, the planet manager, Kia’s assistants Xeno and Zephyr, and some of the princesses living there. The Cool Kids and separately, Kai, scheme how to get off the planet; at the same time, Maj, Jordan and Piminy make plans to join them on Planet Princess via Maj’s spell.
THE SPELL explores themes of bullying, friendship, tolerance, acceptance, and empathy.
JOSIE AND THE ROCKAWAY TUFFS
A one-hour children’s musical by Arianna Rose. Cast Size: (11 - 30)
Synopsis:
A young girl finds life on the Rockaway peninsula a daily challenge. Between babysitting for her younger siblings, navigating childhood, and dealing with the neighborhood gang, she barely has time to figure out who she is. One day, everything changes. A circus passes by, leaving a worker behind; a ghostly girl emerges from the sea foam; and adolescence and childhood crushes take precedence in this coming of age story. Themes of tolerance, friendship, and home prevail in this family musical.
ONE-ACT & SHORT-FORM MUSICALS
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ONE-ACT & SHORT-FORM MUSICALS 〰️
R.S.V.P. One-act musical farce by Donna Morin, Arianna Rose and Aden Kent Ramsey.
Synopsis:
A divorced Italian woman, with a temper as big as her heart, still has the hots for her ex. Convinced he still loves her, she sends him a fake wedding invitation to make him jealous. When he rsvps ”Yes”, she has to quickly manufacture a real wedding and a willing groom. Her manic efforts are hampered by her controlling mother who never met a pill or a drink she didn’t like. Misinformation and misunderstandings create hilarious mayhem in this madcap farce.
ZERO PERCENT CHANCE OF VISIBILITY
A 20-minute musical by Marj O’Neill-Butler and Arianna Rose.
(Based on the short play SNEAKING A PEEK by Marj O’Neill-Butler)